From file
to eligible.
A deliberately careful workflow: preparation and rights come first, review is real, and status is always honest. Delivery to Roblox is the last step, and it stays locked until it's authorised.
Before anything moves
Prepare track + rights
Add your master, title, genre and credits, then document ownership: composition, recording, samples and featured performers. Nothing goes forward without a complete rights record.
Untitled loop 07
Draft · 1:52
- Composition
- Master recording
- Samples cleared
- Credits complete
Moderated, not automatic
Submit for review
Every submission is checked for rights, content and metadata quality. Some tracks will be asked for changes, and some will be declined. That is the point of review.
Honest at every stage
Track the status
See exactly where each release sits: draft, rights check, in review, changes requested or eligible. No vague “processing”, and no status that claims more than is true.
Release lifecycle
- Draft
- Rights check
- In reviewCurrent
- Changes requested
- Eligible · awaiting channel
Final stage · Locked
Roblox publishing
Delivery would only begin after ZWIVL AUDIO secures an authorised delivery relationship. That has not happened. Until it does, eligible tracks simply wait. No uploads, no audio IDs, no workarounds.
Five states.
No “live”.
The prototype intentionally has no published or live state, because nothing can be delivered yet.
Saved locally. Not submitted.
Ownership and licensing documents are being checked.
Content and metadata are being moderated for eligibility.
Something needs fixing before review can continue.
Passed ZWIVL review. Cannot be delivered: no authorised Roblox delivery relationship exists yet.
03 / Boundaries
What ZWIVL
will never do
- Upload your audio directly to Roblox or create audio IDs on your behalf
- Access, list on, or imply any connection to the Creator Store
- Guarantee acceptance, placement or publication
- Let a higher plan buy better odds or faster review
- Claim a track is live when it is not